Rack Focus Review: Jeff, Who Lives at Home

Jeff, Who Lives at Home, which is written by Jay and Mark Duplass, is rather obsessed with signs — and by that, I actually mean M. Night Shyamalan’s Signs. Both present their protagonists as witnesses to coincidences that, if paid their due attention, may ultimately prove to be an order to a seemingly listless universe. But this indie drama is smarter than the big-budget sci-fier it references, and indicates this self-awareness by placing these theories in the mouth of Jeff (Jason Segal), a 30-year-old stoner who does indeed live at home with his widowed mother. Continue reading “Rack Focus Review: Jeff, Who Lives at Home”

Rack Focus: Review: Hunger Games

Once in a great while, my career beckons me in a way that incapacitates me ever so slightly. Did I see The Hunger Games? Yes. Did I like it? Definitely. Do I have time to write a full review? Not this week. For this reason, joining me for the review is At The Buzzer contributor and all-around Superman look-a-like Shaun El-Ters.

Both being fans of the novel by Suzanne Collins, we’re going to first take issue with any and all comparison’s to the Twilight films beyond the simple truth that these are popular stories designed for tweens. The trailer for The Hunger Games is, on its own,  compelling viewing, while any clip of Bella Swan (who we most recently saw hungrily eyeing a deer) induces laughter. Both properties are obviously designed to make money, but the expertise in the production of The Hunger Games makes it the sci-fi pulp cult classics are made of. Continue reading “Rack Focus: Review: Hunger Games”

Rack Focus: A Very Embarrassing “Top 5” List

So I’m overwhelmingly sick and, as such, didn’t go see a movie last night. In terms of my recommendations for the week, I hear 21 Jump Street is rather hilarious. That’s not my official endorsement, mind you, but it’s what I’ve heard.

Regardless, this predicament gave me the idea for interesting “top 5 list” — a list that any self-respecting connoisseur of film would hate to put together. Well, blame the fever or perhaps my lack of self-respect, but here is my list of “Top 5 Films I Haven’t Seen,” with some brief commentary. Continue reading “Rack Focus: A Very Embarrassing “Top 5” List”

Rack Focus: John Carter

John Carter is a stupid film, but that doesn’t necessarily make it a bad one. I imagine the intended product is exactly what we’re getting: a fantastic exercise in pulp storytelling set in a world where mid-air combat and intergalactic swashbuckling collide in astonishingly ludicrous ways. It’s entire narrative is flawed, and the mechanics of the universe has more than a few inconsistencies. (How a man can be incapacitated by a member of an alien species, and then proceed to kill another with one punch, is a quandary indeed). Continue reading “Rack Focus: John Carter”

Rack Focus: The Lorax

The Lorax is my favorite of the many animated adaptations of Dr. Seuss’ works from the 1960s and ‘70s — where bizarre and vaguely hippie-dippie tunes were set against the rough lines and bright-yet-cruddy pastels that are synonymous with the artist’s humble illustrations. Now we have a feature-length version courtesy of the studio and director of Despicable Me, where the viewer enjoys state-of-the-art CGI artistry wrapped in a cotton candy-coated color scheme not found anywhere I’ve seen in nature. Continue reading “Rack Focus: The Lorax”

Rack Focus: Oscar Picks 2012!!!

The movies you didn't see! The stars you want to look at! Aren't you excited?!

And so they’re upon us yet again. The 84th annual award ceremony that cements in stone the arbitrary distinction of “best.” Packed with a slew of nods for mostly artsy and little-seen films, this year’s Academy Awards show won’t be breaking any ratings records — despite (and perhaps due to) the return of Billy Crystal as host/roast-master — but it will, at the very least, make a mention at Monday morning’s water cooler.

Accordingly, here are my picks for the 84th annual Academy Awards, complemented this year by explanatory haikus (because you can get self-important paragraphs from every other film critic, right?). Continue reading “Rack Focus: Oscar Picks 2012!!!”

Rack Focus: Review – Ghost Rider: Spirit of Vengeance

I actually really wanted Ghost Rider: Spirit of Vengeance to be good. I’m a comic book fan, and I had hopes that directors Mark Neveldine and Brian Taylor would bring the same wit, vigor, and panache that they brought to CrankCrank: High Voltage, and to a lesser extent, Gamer. It takes time and energy to effectively execute remarkable cinematography, and it’s an even bigger challenge to keep your story before your intense visuals. I will acknowledge that there are some neat moments in Spirit of Vengeance, and maybe somebody will be goodly enough to put those moments to rocking music and post it on YouTube one day. Continue reading “Rack Focus: Review – Ghost Rider: Spirit of Vengeance”

Rack Focus: Podcast: Episode 1 (2/18/12)

“Who is the worst character in Star Wars: Anakin or Jar-Jar? Do the characters in Star Wars know they’re speaking English? Is that Terrence Malick playing Chancellor Valorum? All this and more will be covered in the very first episode of Rack Focus, the new podcast from film critic Gary Sundt and AtTheBuzzerShow.com.” Continue reading Rack Focus: Podcast: Episode 1 (2/18/12)

Rack Focus: Review: The Artist

As I live in Los Angeles, I am an avid listener to the hilarious Kevin & Bean Show in the mornings on KROQ 106.7 FM. This past Tuesday, Kevin was complaining about The Artist, this year’s apparent frontrunner for the Best Picture Oscar at this year’s Academy Awards. Not only does our man Kevin dislike the film, but he has gone as far as to call it “utter BS.”

He has, of course, made up his mind having never seen the film, under the guise that it is for hipsters and intellectuals. They’re all wrong, but we’re going to circle back to that.

In the meantime, let me explain a little bit about The Artist. Here we have a silent film about the silent film era, specifically focusing on the transition into the talkies. Many silent film stars lost their livelihood when sound came along, and more than a few ended their lives when they were told their careers as movie stars were over. Those who could afford to reinvent themselves did just that, and such is the path of our protagonist, George Valentin (Jean Dujardin), a Frenchman who has spent his career singing and dancing and emoting without the aid of words. When sound hits the street, his success hits the skids, and he’s left to navigate the ways of filmmaking with only his faithful dog and his faithful driver (James Cromwell). Continue reading “Rack Focus: Review: The Artist”

Rack Focus: Review: The Grey

At the risk of spoiling the entire film, I must warn anyone who was stirred to see The Grey from its promising trailer. It’s not that the latest picture from writer/director Joe Carnahan (NarcSmokin’ Aces, The A-Team) isn’t his best yet — in point of fact, it is — but it’s that the film that was sold to you is not really what you’ll be getting. It’s not dissimilar to Drive, an art film stuck with a “fast and furious” trailer. These aren’t bad movies, but the false pretense on which you see the film may leave you dissatisfied.

So here’s my warning: If you, like me, watched the trailer and determined that a snow-covered and wartorn Liam Neeson fighting wolves with a fistful of broken bottles was a film worth your hard-earned dollars, be prepared to be disappointed. It’s not that you’ll dislike The Grey, but this is a film that will give you everything but what you thought you were promised. The outrage from the audience was palpable and reasonable when the ending credits began, as though a ruse had been pulled and we had been gipped a dollar. But there is still a lot to like in The Grey, so long as you can accept the movie on it’s own terms. Continue reading “Rack Focus: Review: The Grey”