Roger Ebert is the world’s most respected film critic. Armond White is its least. See what happens when they hang out every week here at At The Buzzer with Gary Sundt’s new comic-review hybrid, “Ebert & Armond: At The Movies”. … Continue reading CLOUD ATLAS: Reviewed by Ebert & Armond
Roger Ebert is the world’s most respected film critic. Armond White is its least. See what happens when they hang out every week here at At The Buzzer with Gary Sundt’s new web comic-movie review hybrid, “Ebert & Armond: At … Continue reading THIS IS 40: Reviewed by Ebert & Armond
Roger Ebert is the world’s most respected film critic. Armond White is its least. See what happens when they hang out every week here at At The Buzzer with Gary Sundt’s new web comic-movie review hybrid, “Ebert & Armond: At … Continue reading SKYFALL: Reviewed by Ebert & Armond
Roger Ebert is the world’s most respected film critic. Armond White is its least. See what happens when they hang out every week here at At The Buzzer with Gary Sundt’s new web comic-movie review hybrid, “Ebert & Armond: At … Continue reading TWILIGHT BREAKING DAWN – PART 2: Reviewed by Ebert & Armond
NOW CHECK OUT REVIEWS FOR: – This Is 40 – The Twilight Saga: Breaking Dawn Part 2 – Skyfall Roger Ebert is the world’s most respected film critic. Armond White is its least. See what happens when they hang out … Continue reading THE HOBBIT: Reviewed by Ebert & Armond
“This ain’t your daddy’s comic book movie, but rather an apocalyptic vision of a terrorist whose only goal is to have the city tear itself apart.” Continue reading Rack Focus: The Dark Knight Rises
Director Timur (Wanted) Bekmambetov’s Abraham Lincoln: Vampire Hunter should be the type of hoot-and-holler horror flick where my nearest and nerdiest friends can get together and cheer as our 16th president slaughters droves of the undead. Why, then, did I mostly dislike what I saw? This isn’t a film that has anything insightful to say about slavery or the Civil War, and I’ve celebrated more tacky and tasteless schlock than this (which reassigns some of history’s most significant deaths — Lincoln’s mother, for one — to bloodsuckers rather than bad milk). Based on the novel written by Seth Grahame-Smith (who also wrote the screenplay), the film’s problems can be chalked up to discordant dialogue and problematic plot holes that devalue his promising high-concept.
Continue reading “Rack Focus: Abraham Lincoln: Vampire Hunter”
“While 75% of this movie works so completely well, the remaining quarter of the movie’s elements range from confusing to annoying to downright stupid.” Continue reading Rack Focus: Prometheus
“Don’t believe the podcast. Shaun El-Ters is dead. At The Buzzer is in shambles.” Continue reading Hell Dive — The Official Poster
If you didn’t see Alexandre Aja’s Piranha 3D (2010), you missed a fiercely fun horror comedy that struck a balance between over-the-top gore and earnest wit while telling the tale of a Spring Break laid waste by an army of prehistoric piranha. Don’t believe me? Consider that film’s opening – a tongue-in-cheek vignette featuring Richard Dreyfus as a drunken fisherman whose boat is consumed by the monster fish, recalling both his character from Jaws (one of the finest films ever made) and the humble beginnings of “Nature Attacks!”-style horror before taking its own bite out of the genre. Continue reading “Rack Focus: Piranha 3DD”
Gray Areas 