Rack Focus Review: Pottermore

More Harry Potter

The rumors are true. An official Sorting Hat exists, and any discerning internet traveler may be sorted into one of Hogwart School of Witchcraft and Wizardry’s four reputable houses. There is celebration and derision throughout the webiverse, and a more-than-occasional worry the Sorting Hat is mis-sorting people. “But I’m a Slytherin! How can I get Hufflepuffed??” People haven’t referred to it as “Hufflepuffed”, but they should. Continue reading “Rack Focus Review: Pottermore”

Rack Focus Review: Tiny Furniture

Graduating from college comes with an overwhelming ennui that leads graduates to believe we are being utterly underutilized in a society that can’t appreciate our over-education. We’re entitled to everything because, after all, we know everything there is to know about life. Tiny Furniture, which won best narrative feature at SXSW 2010, is about learning that we actually don’t know anything except nobody else (including our successful friends and parents) knows anything either.

Dunham is Aura, a recent graduate from a prestigious liberal arts college who returns home to live in her mother’s shwanky loft in Tribeca, New York. She hates living at home, as it contains her artsy mother (Laurie Simmons) and her obnoxious younger sister (Grace Dunham), but knows the arrangement is only until she gets an apartment with her best college friend (Merritt Wever). Until then, it’s job hunting and catching up with peers, who all seem to have their lives on the road to being sorted out. Surrounded by the young, artistic and sardonic, Aura is forced to ponder whether she should be creating, reading, meeting people, or joining the work force regimen. In the meantime, she’d much rather sulk. Her only apparent modicum of comfort  comes from Charlotte (Jemima Kirke), a childhood friend with a maybe-British accent who concerns herself with none of these details. Continue reading “Rack Focus Review: Tiny Furniture”

Rack Focus Review: Cabin in the Woods

Cabin in the Woods is as smart as it thinks it is. The only reason it isn’t smarter is because its tongue is so self-satisfyingly planted in its cheek that you can practically see the smirks of producer/co-writer Joss Whedon and director/co-writer Drew Goddard on every frame. Horror films are perhaps the easiest to lampoon, but I don’t think the genre has ever quite been skewered this good. Continue reading “Rack Focus Review: Cabin in the Woods”

Rack Focus: “Rock Doc”

http://www.youtube.com/watch?v=rwB_If1VaKg
here’s what I filmed while in Las Gaviotas down in Baha, Mexico. It’s the story of what happens in that space between the rock and the hard place. I call it “Rock Doc”.

I will have reviews for “American Wedding” and “Titanic 3D” very soon, but I am currently in Mexico for the Easter holiday. In the interim, I figured my new short would make a fine movie-related blog post.

This is the third installment of “Somewhere in the United States”, my collection of 12 film shorts I’m shooting in 12 months. I started this series back in November, and I will admit that I am a little behind. However, my aim is to get paid to write, direct, and produce films, and somebody once said that producing 12 shorts in 12 months was a good way to practice.

I invite anybody else who dreams of creating something great to do the same thing. Wanna write? Write 12 short stories in 12 months. Wanna be a musician? 12 songs. Wanna make comics? 12 mini comics. Make them presentation worthy. Make them something you’re proud to showcase. Maybe they suck, but I promise you’ll get a little better every time.

All that said, here’s what I filmed while in Las Gaviotas down in Baha, Mexico. It’s the story of what happens in that space between the rock and the hard place. I call it “Rock Doc”.

Continue reading Rack Focus: “Rock Doc”

Rack Focus Review: Jeff, Who Lives at Home

Jeff, Who Lives at Home, which is written by Jay and Mark Duplass, is rather obsessed with signs — and by that, I actually mean M. Night Shyamalan’s Signs. Both present their protagonists as witnesses to coincidences that, if paid their due attention, may ultimately prove to be an order to a seemingly listless universe. But this indie drama is smarter than the big-budget sci-fier it references, and indicates this self-awareness by placing these theories in the mouth of Jeff (Jason Segal), a 30-year-old stoner who does indeed live at home with his widowed mother. Continue reading “Rack Focus Review: Jeff, Who Lives at Home”

Rack Focus: Review: Hunger Games

Once in a great while, my career beckons me in a way that incapacitates me ever so slightly. Did I see The Hunger Games? Yes. Did I like it? Definitely. Do I have time to write a full review? Not this week. For this reason, joining me for the review is At The Buzzer contributor and all-around Superman look-a-like Shaun El-Ters.

Both being fans of the novel by Suzanne Collins, we’re going to first take issue with any and all comparison’s to the Twilight films beyond the simple truth that these are popular stories designed for tweens. The trailer for The Hunger Games is, on its own,  compelling viewing, while any clip of Bella Swan (who we most recently saw hungrily eyeing a deer) induces laughter. Both properties are obviously designed to make money, but the expertise in the production of The Hunger Games makes it the sci-fi pulp cult classics are made of. Continue reading “Rack Focus: Review: Hunger Games”

Rack Focus: John Carter

John Carter is a stupid film, but that doesn’t necessarily make it a bad one. I imagine the intended product is exactly what we’re getting: a fantastic exercise in pulp storytelling set in a world where mid-air combat and intergalactic swashbuckling collide in astonishingly ludicrous ways. It’s entire narrative is flawed, and the mechanics of the universe has more than a few inconsistencies. (How a man can be incapacitated by a member of an alien species, and then proceed to kill another with one punch, is a quandary indeed). Continue reading “Rack Focus: John Carter”

Rack Focus: The Lorax

The Lorax is my favorite of the many animated adaptations of Dr. Seuss’ works from the 1960s and ‘70s — where bizarre and vaguely hippie-dippie tunes were set against the rough lines and bright-yet-cruddy pastels that are synonymous with the artist’s humble illustrations. Now we have a feature-length version courtesy of the studio and director of Despicable Me, where the viewer enjoys state-of-the-art CGI artistry wrapped in a cotton candy-coated color scheme not found anywhere I’ve seen in nature. Continue reading “Rack Focus: The Lorax”

Rack Focus: Review – Ghost Rider: Spirit of Vengeance

I actually really wanted Ghost Rider: Spirit of Vengeance to be good. I’m a comic book fan, and I had hopes that directors Mark Neveldine and Brian Taylor would bring the same wit, vigor, and panache that they brought to CrankCrank: High Voltage, and to a lesser extent, Gamer. It takes time and energy to effectively execute remarkable cinematography, and it’s an even bigger challenge to keep your story before your intense visuals. I will acknowledge that there are some neat moments in Spirit of Vengeance, and maybe somebody will be goodly enough to put those moments to rocking music and post it on YouTube one day. Continue reading “Rack Focus: Review – Ghost Rider: Spirit of Vengeance”